A COMMEMORATION OF WOUNDS ENDURED: WRITING AS RESISTANCE IN MARGARET ATWOOD’S THE BLIND ASSASSIN

Авторы

  • Marija N. Gagić

DOI:

https://doi.org/10.21618/fil2532505g

Ключевые слова:

Margaret Atwood, The Blind Assassin, fictive autobiography, l'écriture féminine, personal trauma narrative, self-sacrifice

Аннотация

Margaret Atwood’s The Blind Assassin depicts repressive patriarchal practices such as insistence upon the cult of Victorian womanhood and the sacrificial angel trope imposed on women in 1930s and 1940s Canada. Focusing on the protagonist, Iris Chase Griffen, the paper will explore the ways in which female voices are silenced within patriarchal structures, finding an outlet of resistance in the act of writing. The Blind Assassin utilizes the mode of fictional autobiography to challenge dominant male perspectives, as Iris rewrites her own history, realizing the potential for female agency and self-expression.

Библиографические ссылки

Atwood, M. (1989) Introduction: Reading Blind. In: Atwood, M. and Ravenel, S. (eds.) The Best American Short Stories 1989. Boston, Houghton Mifflin, pp. xi–xxiii.

Atwood, M. (2000) The Blind Assassin. New York, NY, Anchor Books.

Bloom, H. (2009) Bloom’s Modern Critical Views: Margaret Atwood. New York, Chelsea House.

Bouson, J.B. (2003) A Commemoration of Wounds Endured and Resented: Margaret Atwood’s The Blind Assassin as Feminist Memoir. Critique: Studies in Contemporary Fiction. 44(3), pp. 251–269.

Bouson, J.B. (2010) Introduction: Negotiating with Margaret Atwood. In: Bouson, J.B. (ed.) Margaret Atwood: The Robber Bride, The Blind Assassin, Oryx and Crake. London, Continuum, pp. 1–22.

Cixous, H., Cohen, K. and Cohen, P. (1976) The Laugh of the Medusa. Signs. 1(4), pp. 875–893.

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Gilbert, S.M. and Gubar, S. (2020) The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven, CT, Yale University Press.

Hembrough, T. (2017) From an Obscured Gaze to a Seeing Eye? Iris as Victim, Villain, and Avenger in the Role of Writer-as-Assassin in Margaret Atwood’s The Blind Assassin. Sage Open. 7(1).

Howells, C.A. (2003) Contemporary Canadian Women’s Fiction: Refiguring Identities. New York, Palgrave Macmillan.

King, J. (2005) The Victorian Woman Question in Contemporary Fiction. Basingstoke, Palgrave Macmillan.

Michael, M.C. (2010) Narrative multiplicity and the multi-layered self in The Blind Assassin. In: Bouson, J.B. (ed.) Margaret Atwood. New York, NY, Continuum, pp. 88–102.

Загрузки

Опубликован

2025-12-30

Как цитировать

N. Gagić, M. . (2025). A COMMEMORATION OF WOUNDS ENDURED: WRITING AS RESISTANCE IN MARGARET ATWOOD’S THE BLIND ASSASSIN. Филолог - журнал о языке, литературе, культуре, 16(32), 505–518. https://doi.org/10.21618/fil2532505g