THE YANGBANXI OR CHINESE REVOLUTIONARY OPERAS

Juan Carlos  Moreno-Arrones Delgado

doi:10.21618/fil2633074m

Autori

Juan Carlos Moreno-Arrones Delgado Instituto Cervantes of Beijing

DOI:

https://doi.org/10.21618/fil2633074m

Ključne reči:

revolucionarna literatura, pekinška opera, yangbanxi, socijalizam, propaganda

Apstrakt

Napori Komunističke partije Kine od dolaska na vlast da kontroliše umjetnost kulminirali su pojavom niza revolucionarnih opera stvorenih i izvedenih 1960-ih godina. Jedini način na koji je Partija mogla da obrazuje svoje pretežno nepismeno seljačko i radničko stanovništvo ostvarivao se upravo putem simboličke umjetničke forme koja im je bila poznata, i to one koja je vijekovima bila dio njihove kulturne tradicije. U tom cilju država je organizovala čitave pozorišne trupe koje su u najudaljenijim dijelovima zemlje više puta izvodile ista djela kako bi se osiguralo da svaki kineski građanin razumije nove političke norme. Dostignuća koja je Kina postigla za samo jednu deceniju i dalje kulturno i tematski odjekuju kod onih koji su živjeli u toj eri.

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