REASONING WITH C-POP: IDEALS, IDOLS, IDEAS, IMAGERIES

Željka  Lj. Babić; Emir  Z. Muhić

doi:10.21618/fil2633129b

Auteurs

Željka Lj. Babić University of Banja Luka Faculty of Philology English Department
Emir Z. Muhić University of Banja Luka Faculty of Philology English Department

DOI :

https://doi.org/10.21618/fil2633129b

Mots-clés :

C-pop, idols, imageries, fan culture, amalgamation, English

Résumé

Chinese popular music (C-pop) has experienced a swift transformation over the past decade, evolving from a niche market into a high-capitalised fan economy predominantly driven by idol survival shows. This paper investigates the intricate and dynamic landscape of C-pop as a significant medium for cultural negotiation and identity formation in the 21st century. In addition to providing a succinct overview of the fundamental issues associated with C-pop and its historical development, this study examines how it functions as an intermediary between diverse cultures and societies, and as a vital social arena for contemporary Chinese youth to navigate the tensions between individualism and collectivism. Ultimately, the paper proposes a framework for comprehending the manner in which Chinese soft power is negotiated and consumed amid a period of rapid digital, cultural, and social transformation.

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