REASONING WITH C-POP: IDEALS, IDOLS, IDEAS, IMAGERIES

Željka  Lj. Babić; Emir  Z. Muhić

doi:10.21618/fil2633129b

Autori

Željka Lj. Babić University of Banja Luka Faculty of Philology English Department
Emir Z. Muhić University of Banja Luka Faculty of Philology English Department

DOI:

https://doi.org/10.21618/fil2633129b

Ključne reči:

Ц-поп, идоли, слике, култура фанова, амалгамација, енглески језик

Apstrakt

Кинеска популарна музика (Ц-поп) прошла је кроз брзу трансформацију током посљедњих десетак година, прелазећи са тржишне нише на високо капитализовану економију обожавалаца коју покрећу емисије посвећене „идолима”. Рад истражује сложени пејзаж кинеске популарне музике која представља моћни културални медијум, али и основу за изградњу идентитета у 21. вијеку. Поред кратког прегледа основних питања везаних за Ц-поп и његову историју, рад анализира и како он посредује између култура и друштава, те како служи као кључни друштвени простор кинеској младој генерацији за маневрисањe унутар личног расцјепа између индивидуализма и колективизма. Коначно, рад нуди оквир за разумијевање кинеске меке моћи у ери брзих дигиталних, културних и друштвених промјена.

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